Saturday, June 20, 2009
Wednesday, June 17, 2009
Thursday, April 9, 2009
Looking for Magic The Gathering Cards cheap? Check out EverythingMTG.com
Saturday, March 28, 2009
Hey. One of my buddies is reviewing some games alongside this music blog:
Check out some of the video game reviews that he's been doing.
So far, he's reviewed:
Resident Evil 5 Review
Oblivion Review
Madworld Review
Red Alert 3 Review
Blizzard new battle.net
Classic Video Games
Fable Review
New Elder Scrolls Game
So far, he's reviewed:
Resident Evil 5 Review
Oblivion Review
Madworld Review
Red Alert 3 Review
Blizzard new battle.net
Classic Video Games
Fable Review
New Elder Scrolls Game
Sunday, September 30, 2007
Emery - I'm only a man
Emery has always been a wierd band in the sense that they are a rigid mix of a bunch of different styles. The vocals are heavily influenced by punk, and the guitars are a mix of metal and...rockabilly of sorts. They're airy, yet heavy. It's quite a mix, and that's what made them unique in a world of regurgitated guitars and vocals about their girlfriends getting a new man. Today, the new album from Emery - I'm only a man.
New Music: Emery!
1. Well, as I said before, Emery has always been a rhyming rock band, with condescending lyrics like that of a yard gnome reaching back at his would be captors. Strange analogy I know, but it fits (don't question it, I'm a scientist.) Anyway, these boys have taken a risky step. The scene today is so full of overcompressed, as loud as possible albums. Nothing is raw anymore, and nothing has emotion anymore (as far as the music is concerned.) YOu might be able to pick up a brand new album, and feel the raw emotion, but until now, that was one of the only albums as of late with actual fidelity and emotion built into not just the vocals, but the music itself. Emery is changing that. On first listen to the cd, you will notice that the vocals are less affected, they sound raw as if someone recorded them in a "real place" like a basement or a room instead of an over saturated studio. Some might not be used to this, but it WILL grow on you, because hearing someone in the raw is very very intiguing (once again, science). Instead of hearing a random voice with several effects and autotunes over it, this time it feels like the vocals are coming straight from somebody in the room with you, something I applaud these days.
2. The guitars on this album are plainly....wacky. They has such a dynamic range, as well as also sounding like they are real. They change so much throughout the song, from rigid, sharp riffs and then to wet, soft arpeggios. It is truly a rollercoaster ride. If you're not a fan of diversity, odds are this album will throw you for a loop (rollercoaster...loop...)and you probably won't like it very much. However, if you have a short attention span, like I do, you'll love it because with every song, and every next track click, it'll be something new, and even when you think you have the song pinned down, they throw something ELSE in. It's truly unique.
3. Drums so raw, make you wanna smack yo' momma.
Alright, here's the thing drummers. I know you. You're the ones who are always hitting shit all the time, and trying to be as loud as you can always. Emery applauds your style with their own. These drums are LOUD. These drums are DIRTY. These drums SPEAK. You can hear the cymbals, crashing through the mix, you can hear the deepest lows and shrillest highs imaginable. I've said it before, and I'll say it again. The Rawness of this album is spectacular. They've made it so you feel at home when you listen. You feel like they're in front of you, or in the same room with you when you listen. They are your new best friends. As for the beats and technicality of the drums, it's pretty good. The drums vary as much as the guitars do, so it's always a surprise again. Just like on the last albums, there are some funky beats, and there are some heavy beats, but suffice it to say both are done perfectly. They draw attention, but not so much that it takes away from the song.
4. Bass Fishing Well, I will have to say, yet again that the bass is there, and it does it's job, but never really gets the chance to shine. I know that bassists out there are reading my posts and getting miffed at me, but I can't report on what isn't outstanding. The bass is good, don't get me wrong, but it doesn't stand out. Also, Suffice it to say the songs wouldn't be as good without the bass, but I didn't scream to the heavens when I heard it. I'll try and look for a bass oriented album for all you bassists, but If i can't find one, and you're band has one, send it to the sister site: Up and Coming Music: Unsigned. I'll review it and put it up there.
Rockafeller's Resolution: This is altogether a REAL album. The dynamics are there, the feeling is there, and it hits pretty hard. Everything blends together really well, and nothing is overproduced. Emery's "I'm only a man" lives up to it's name. In a world of overproduced albums, Emery takes a step back and let's you know that they too, are people, and not just autotuned voices.
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
New Music: Emery!
1. Well, as I said before, Emery has always been a rhyming rock band, with condescending lyrics like that of a yard gnome reaching back at his would be captors. Strange analogy I know, but it fits (don't question it, I'm a scientist.) Anyway, these boys have taken a risky step. The scene today is so full of overcompressed, as loud as possible albums. Nothing is raw anymore, and nothing has emotion anymore (as far as the music is concerned.) YOu might be able to pick up a brand new album, and feel the raw emotion, but until now, that was one of the only albums as of late with actual fidelity and emotion built into not just the vocals, but the music itself. Emery is changing that. On first listen to the cd, you will notice that the vocals are less affected, they sound raw as if someone recorded them in a "real place" like a basement or a room instead of an over saturated studio. Some might not be used to this, but it WILL grow on you, because hearing someone in the raw is very very intiguing (once again, science). Instead of hearing a random voice with several effects and autotunes over it, this time it feels like the vocals are coming straight from somebody in the room with you, something I applaud these days.
2. The guitars on this album are plainly....wacky. They has such a dynamic range, as well as also sounding like they are real. They change so much throughout the song, from rigid, sharp riffs and then to wet, soft arpeggios. It is truly a rollercoaster ride. If you're not a fan of diversity, odds are this album will throw you for a loop (rollercoaster...loop...)and you probably won't like it very much. However, if you have a short attention span, like I do, you'll love it because with every song, and every next track click, it'll be something new, and even when you think you have the song pinned down, they throw something ELSE in. It's truly unique.
3. Drums so raw, make you wanna smack yo' momma.
Alright, here's the thing drummers. I know you. You're the ones who are always hitting shit all the time, and trying to be as loud as you can always. Emery applauds your style with their own. These drums are LOUD. These drums are DIRTY. These drums SPEAK. You can hear the cymbals, crashing through the mix, you can hear the deepest lows and shrillest highs imaginable. I've said it before, and I'll say it again. The Rawness of this album is spectacular. They've made it so you feel at home when you listen. You feel like they're in front of you, or in the same room with you when you listen. They are your new best friends. As for the beats and technicality of the drums, it's pretty good. The drums vary as much as the guitars do, so it's always a surprise again. Just like on the last albums, there are some funky beats, and there are some heavy beats, but suffice it to say both are done perfectly. They draw attention, but not so much that it takes away from the song.
4. Bass Fishing Well, I will have to say, yet again that the bass is there, and it does it's job, but never really gets the chance to shine. I know that bassists out there are reading my posts and getting miffed at me, but I can't report on what isn't outstanding. The bass is good, don't get me wrong, but it doesn't stand out. Also, Suffice it to say the songs wouldn't be as good without the bass, but I didn't scream to the heavens when I heard it. I'll try and look for a bass oriented album for all you bassists, but If i can't find one, and you're band has one, send it to the sister site: Up and Coming Music: Unsigned. I'll review it and put it up there.
Rockafeller's Resolution: This is altogether a REAL album. The dynamics are there, the feeling is there, and it hits pretty hard. Everything blends together really well, and nothing is overproduced. Emery's "I'm only a man" lives up to it's name. In a world of overproduced albums, Emery takes a step back and let's you know that they too, are people, and not just autotuned voices.
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
Tuesday, September 25, 2007
Life In Your Way - Waking Giants
Hey everybody, just checked this band out today while scrolling through countless pages. Upon first listen, I found them to be quite evoking for a few reasons. Primarily, (something we haven't covered much recently) the impressive synchronization of the songs. Even when you first rip the shrink wrap off of the album, you begin to listen, and realize how tight this band is: as in their drum rolls and guitar notes. At some points it even has a prog feel to it. If you're a drummer, and you like the harder music, this is definitely for you. I'm rambling as always. In short: It's not the best thing I've ever heard, but it's definitely worth a gander.
New Music: Life In Your Way!
First thing's first: I'm not going to recommend this album as a must have or dump on it, it's just one of those things I found intriguing, so I'm gonna post about it. It's on of those things you'll just have to listen to and figure it out for yourself. I will tell you though, a good track to start with that encompasses their entire sound in one song would be: We Don't Believe
Heck, I'll even throw in the myspace URL: http://www.myspace.com/lifeinyourway
(I'm such a nice guy)
If that song doesn't tickle your fancy, this album might not be for you. Ok, onward!
Guitars: It's hard to explain these guitars, but think of a mix between As Cities Burn and Underoath. It's not exact, because obviously every band varies, but they have those half dirty chords, with pretty arpeggios thrown in. It's quite a unique blend, and I have to be honest, this paired with the harder synchronization proves a dynamic, yet melodic blend. They do experiment with a few weird rhythms (notice they're weird, not odd time, proggies don't get too excited)
All in all the guitars are pretty damn good. They vary a lot, so if you have a short attention span, (like I do sometimes) you'll love the diversity.
Vocals: Alright, this is where the quality can get questionable. If you're a fan of balls-out screaming this album should tickle your erogenous zone (or peepee for those youngins....maybe that crossed the line). Anyway, I predict this to be a love of hate kind of thing when the band's marketability comes into play. Some bands boast a Jeckyl and Hyde type persona, but this is truly a prime example. Just go get a gander on it...don't worry I'll wait...seriously, we're waiting.
Drums and Bass Boyeee!!: Well, like I said before, that synchro is awesome. Truly, it takes talent to write some of that into your songs, however, other than that the drumming can be a little dull. Now, this being the first time I've encountered this band, I can't base the drummer's skill on past releases, so I'm not sure if he is indeed just playing what's needed, or he's just mediocre. I'm willing to give him the benefit of the doubt, just because he is the backbone for some of those "weird" rhythms. As for the bass: I wish I had more to write about guys and gals, but this is just plain ol' bass guitar from what I can tell. It's not bad though, it fits right in where it needs to go, but It would be nice if he got more breakdown, intro, outro parts etc.
Rockafeller's Resolution: Well, this album is a good one, and If you're jamming out some older stuff, and you're sick of it, this could very well be that album you've been waiting for, but my writing could very well be in vain. Like I said, it's going to be a love/hate, a bush/kerry, or even a butter/margarine type deal. Accept it folks, that butter / margarine thing was gold, literally...oh man...I'm on fiya!
First thing's first: I'm not going to recommend this album as a must have or dump on it, it's just one of those things I found intriguing, so I'm gonna post about it. It's on of those things you'll just have to listen to and figure it out for yourself. I will tell you though, a good track to start with that encompasses their entire sound in one song would be: We Don't Believe
Heck, I'll even throw in the myspace URL: http://www.myspace.com/lifeinyourway
(I'm such a nice guy)
If that song doesn't tickle your fancy, this album might not be for you. Ok, onward!
Guitars: It's hard to explain these guitars, but think of a mix between As Cities Burn and Underoath. It's not exact, because obviously every band varies, but they have those half dirty chords, with pretty arpeggios thrown in. It's quite a unique blend, and I have to be honest, this paired with the harder synchronization proves a dynamic, yet melodic blend. They do experiment with a few weird rhythms (notice they're weird, not odd time, proggies don't get too excited)
All in all the guitars are pretty damn good. They vary a lot, so if you have a short attention span, (like I do sometimes) you'll love the diversity.
Vocals: Alright, this is where the quality can get questionable. If you're a fan of balls-out screaming this album should tickle your erogenous zone (or peepee for those youngins....maybe that crossed the line). Anyway, I predict this to be a love of hate kind of thing when the band's marketability comes into play. Some bands boast a Jeckyl and Hyde type persona, but this is truly a prime example. Just go get a gander on it...don't worry I'll wait...seriously, we're waiting.
Drums and Bass Boyeee!!: Well, like I said before, that synchro is awesome. Truly, it takes talent to write some of that into your songs, however, other than that the drumming can be a little dull. Now, this being the first time I've encountered this band, I can't base the drummer's skill on past releases, so I'm not sure if he is indeed just playing what's needed, or he's just mediocre. I'm willing to give him the benefit of the doubt, just because he is the backbone for some of those "weird" rhythms. As for the bass: I wish I had more to write about guys and gals, but this is just plain ol' bass guitar from what I can tell. It's not bad though, it fits right in where it needs to go, but It would be nice if he got more breakdown, intro, outro parts etc.
Rockafeller's Resolution: Well, this album is a good one, and If you're jamming out some older stuff, and you're sick of it, this could very well be that album you've been waiting for, but my writing could very well be in vain. Like I said, it's going to be a love/hate, a bush/kerry, or even a butter/margarine type deal. Accept it folks, that butter / margarine thing was gold, literally...oh man...I'm on fiya!
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